And stopped selling polepieces direct.It was a dark day when DiMarzio stopped making knobs and switch tips
Weird, as you would think a pickup advertised as having a lot of bass wouldnt be anything like an EMG 81.Out of all the passives (lots of DiMarzios included) I tried, the Super 3 bridge and PAF Pro neck is probably the closest combination I found to a passive 81/60 set. it's still not 100% there but that's practically impossible due to designs.
Driving me nuts trying to find a cream knob that match the zebra DiMarzio humbucker I have for my baritone Strat project. Dark days indeed.It was a dark day when DiMarzio stopped making knobs and switch tips
Every experience I had with the Super 3 is that the mids seem to overpower everything lol. Like I'm not getting that supermassive bass that's usually advertised. The extremely crunchy mids are just so present.Weird, as you would think a pickup advertised as having a lot of bass wouldnt be anything like an EMG 81.
I think that is how the Invader is also. People think it is so bassy, but the mids are the most dominant thing.Every experience I had with the Super 3 is that the mids seem to overpower everything lol. Like I'm not getting that supermassive bass that's usually advertised. The extremely crunchy mids are just so present.
I will say I've had a strong urge to go back to the 81/60 set though. Most likely doing that with my G&L ASAT I got coming
Super 3 has far more low-mids than bass IMO, despite DiMarzios EQ ratings.Weird, as you would think a pickup advertised as having a lot of bass wouldnt be anything like an EMG 81.
I love the mids in a Super 3, nails the instrumental 90s guitar Satriani/Steve Morse sound. Solo's are great. Don't really miss the bass in a mix and the palm mutes are chunky.Super 3 has far more low-mids than bass IMO, despite DiMarzios EQ ratings.
That said, I think the D Activator and Evolution bridge models are far more similar to an EMG 81 than the Super 3 is.
I wasn't suggesting the Super 3 lacks bass (far from it) - only that DiMarzio's description of the EQ is slightly misleading, so it's not as far away from an EMG 81 tone as someone might assume from that (but it's not all that close IMO).I love the mids in a Super 3, nails the instrumental 90s guitar Satriani/Steve Morse sound. Solo's are great. Don't really miss the bass in a mix and the palm mutes are chunky.
That is how I found the Super Distortion. I thought it was going to be bassy, but it has like no bass, but tons of lower mids. Did not really like that one.Super 3 has far more low-mids than bass IMO, despite DiMarzios EQ ratings.
That said, I think the D Activator and Evolution bridge models are far more similar to an EMG 81 than the Super 3 is.
Super 3 is more compressed than the Super Distortion (less bass and less treble).That is how I found the Super Distortion. I thought it was going to be bassy, but it has like no bass, but tons of lower mids. Did not really like that one.
Must be why I dont seem to jive with many of them. They just dont have that lower bass chug. The Tone Zone and Crunch Lab are the only ones I have kept for a long time.Super 3 is more compressed than the Super Distortion (less bass and less treble).
DiMarzio humbuckers in general seem have more of a low-mid frequency peak than other brands.
The Crunch Lab has plenty of bass, but is actually a prime example of a DiMarzio bridge model that is relatively dark but has significantly more low-mids than bass. Tone Zone has tons of bass and low-mids.Must be why I dont seem to jive with many of them. They just dont have that lower bass chug. The Tone Zone and Crunch Lab are the only ones I have kept for a long time.
Might I suggest the Fortitude, if you're a lower output/PAF guy?Must be why I dont seem to jive with many of them. They just dont have that lower bass chug. The Tone Zone and Crunch Lab are the only ones I have kept for a long time.