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Oh my bad, I assumed they were the new pickups, couldn't really see the pickups overly well while watching the video on the phone

They sound fairly dry and flat in this video:

I couldn't find a lot of diagrams out there that have the 12 pin 4PDT type of 3-way toggle switch, so I emailed Ibanez. They sent me this wiring diagram, and I thought I'd share it here in case anyone else needed it.

The Fusion Edge 7s are great for clean-ish stuff, and aren't bad at all for heavier styles. I have them in an rgd3127. I would say the neck pickup is a bit bass-heavy, and the bridge isn't as clear as I'd prefer for doing a lot of fast palm-muted stuff. In comparison, I have dactivators 7s in...

I'm stoked to try these in a bunch of different guitars. I have the bridge one sitting here, neck version on the way. First install is going to be in an RGD3127

Europe doesn't usually get as much as North America, there'll probably be a pretty decent amount of stuff revealed soon.

I love the way clear bobbins look. What's this pickup?

I'm thinking they'll add to the Iron Label line a bit, maybe a Destroyer? Wes Hauch getting an Iceman Sig would be cool but I don't know how realistic that is. It would be cool if Vogg got a sig model, he's got some rad reversed headstock 6/7 Destroyers.

The customs/duties/taxes might push the number closer to L&Ms price, I'd probably look at a US retailer instead.

Thanks dudes

I'm looking at this diagram: https://d2emr0qhzqfj88.cloudfront.net/s3fs-public/diagrams/2hum1vol1tone_ep1112l_0.pdf and there's one thing I'm unsure about. The neck b/w shows a connection to a further lug but there's also a black mark on the next lug that doesn't appear to connect to anything...

They did, two years ago 🤣

$30/hr? I make less than $40k a year, I don't know anyone that makes more than $25/hour other than truckers or construction type jobs.

Pretty sure those are 3D printed clip-on decorations.

Pretty sure the NAMM scheduling changed things up, I think it's in late April now.

I used to have that problem on an SG, there was definitely a bit of a high-pitched overtone depending on gauge so I just flipped my saddles around to get a little more clearance.

New song is boring.

Imagine Simon going to work for Dingwall.

I actually prefer a bit unbalanced set, for E on my SG I have a 10-50 set, but I'm guessing it's not likely the best setup to compare to a trem. I think I'm going to hold off on buying a fancy new toy in favor of looking for a used guitar to see if trems are for me.